It occurred to me the other day that one of my favourite authors – J R R Tolkien – has probably had more written about him than he actually wrote himself.
Certainly that’s true if you consider the books Tolkien published in his lifetime. There were, after all, only two Middle Earth books plus a few other bits and pieces. But even if you add in the endless sequence of ‘first drafts’ churned out of the voluminous Tolkien papers by his son and one or two others since the elder Tolkien’s passing in 1973, the fact remains that the amount of stuff triggered by Tolkien is even larger.
I happened to be prowling the Tolkien shelves of my local bookstore the other day and spotted, apart from various editions of Tolkien’s own work, at least a complete shelf of analyses, of books-about-the-films, of books about the mythology behind Middle Earth, about the artwork – in all its flavours – and at least two send-ups. The Harvard Lampoon’s Bored of the Rings (a comic novel in its own right) and a more impenetrable spoof of The Hobbit written by someone else.
That’s apart from the plethora of Tolkien biographies – which, based on what I have in my own collection, range from the ‘definitive’ general biography by John Carpenter through to more specialist studies of Tolkien in the First World War. I also have a semi-biographical snapshot, published as a book, based on the observations of a fan who was so taken by drafts of the Silmarillion that he sought out, and visited, the elderly Professor in the early 1970s.
Not to mention the music. Tolkien himself worked with Donald Swann to set some of his Middle Earth songs to music. Since then his mythos has inspired everything from Bo Hansson’s album Music Inspired By The Lord Of The Rings (1969), through to Led Zeppelin’s Battle for Evermore, and more recently Nightwish numbers such as Elvenpath or Wishmaster. The latter, with some of the lyrics actually in Tolkien’s High Elvish, isn’t exactly subtle. And there are reasons why a lot of Norwegian rock is known, colloquially, as ‘heavy mithril’.
All of which, to me, underscores just what a massive influence Tolkien actually was. And, of course, still is. None of it, of course, was planned or intended; the whole thing grew, to use a Tolkienism, in the telling.
I suppose next we’ll find books discussing the books that discuss Tolkien. Meta-meta literature? Or maybe not.
Do you have any ‘meta Tolkien’ literature – or music – in your collection?
Copyright © Matthew Wright 2014