I figure Beethoven was a shred-metaller. No really.

I figure that if Ludwig van Beethoven had been around today, he’d have been a shred-metaller. You know – a guitar virtuoso who churns out 500-note-a-minute solos on top of complex polyrhythmic backings built around augmented minor chord progressions. Think Yngwie Malmsteen. That’s basically how Beethoven’s stuff was viewed back then by a generation bought … More I figure Beethoven was a shred-metaller. No really.

Why nobody notices synthesisers any more

I’m intrigued by how quickly we get used to music and sounds. Just about every track we listen to these days has electronically-generated content, and even the analog elements are usually processed. Thanks to digital signal processing and software originally developed for the oil industry, singers can even fix pitch and timing. But that wasn’t … More Why nobody notices synthesisers any more

The Smoke On The Water riff vs my vintage synthesiser collection

Instruments I have played the ‘Smoke On The Water’ riff on: 1. Various pianos, except a Bosendorfer 91-note grand, on which I played ‘Louie Louie’. 2. Moog Modular Model 15 (lead only, I don’t own this one, it’s the modular they produced in a suitcase for carrying around gigs, but I DID once tyre-kick my … More The Smoke On The Water riff vs my vintage synthesiser collection

Human creativity always wins – for now

New Zealand’s ingenuity seems limitless these days. Back in 2012 a graduate student at Victoria University, in my own city of Wellington, invented a robot bass guitar. Awesome or what? Here’s the instrument – MechBass – playing ‘Hysteria’: Soon, the same machine is going to perform as part of an ensemble: http://www.qtheatre.co.nz/plot-twist-bass-guitarist-robot That’s extremely geeky … More Human creativity always wins – for now