Human creativity always wins – for now

New Zealand’s ingenuity seems limitless these days. Back in 2012 a graduate student at Victoria University, in my own city of Wellington, invented a robot bass guitar. Awesome or what? Here’s the instrument – MechBass – playing ‘Hysteria’: Soon, the same machine is going to perform as part of an ensemble: http://www.qtheatre.co.nz/plot-twist-bass-guitarist-robot That’s extremely geeky… More Human creativity always wins – for now

Hyperbole has its place. So does the Mellotron.

A week or so ago I posted on the way 1970s Brit prog rockers adapted to changing tastes in music – underscoring the fact that writers, too, should adapt inside their own field and genres. I made a couple of statements that were deliberately hyperbolic, to underscore the point. I thought they were obviously so OTT… More Hyperbole has its place. So does the Mellotron.

My sneaky crusade to play “Louie Louie”, and why it failed

Jack Ely died last week. Jack who? The guy who sang “Louie Louie” for the Kingsmen, back in 1963. His rendition was so garbled the CIA investigated the song for seditious content. Which was a bit of a waste because actually, there’s nothing to the lyrics of ‘Louie Louie’. I mean – nothing. They’re moronic.… More My sneaky crusade to play “Louie Louie”, and why it failed

The three questions all authors must ask before starting

It’s amazing how many writing lessons I find in music. When I was a kid and learning music, there was an attitude that rock musicians were musical Neanderthals who could strum a few chords while making animal noises. ‘Proper’ music was ‘classical’, around which the Royal Schools grade courses I was doing was framed. The criteria for… More The three questions all authors must ask before starting