The tale of the Russian terrorist ship, and why you have to buy the book

Back in mid-February 1873, Auckland newspaper editor David Leckie revealed the dramatic story of a secret Russian cruiser whose crew had taken over a British warship in Auckland harbour, with the help of a ‘submarine pinnace’, and was holding the city to ransom.

David Leckie - sometimes also spelt Luckie - Photographer unknown :Portrait of David Mitchell Luckie. Ref: PA2-2596. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23114007

David Leckie – sometimes also spelt Luckie – Photographer unknown :Portrait of David Mitchell Luckie. Ref: PA2-2596. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/23114007

Their agent of terror was ‘deadly water gas’ invented by ‘the late General Todtlieben’, which had rendered the crew senseless. Then the Russian terrorists had pointed the British guns at the city, taken leading citizens hostage, and ’emptied the coffers of the banks’.

It was an outrageous act of terror, and half Leckie’s readers believed him. Though anybody reading it aloud would have known they were being pranked, because apart from the silly name of the German inventor (‘Deathlove’), Leckie also dubbed his Russian terror warship (wait for it) the Kaskowiski.

His actual aim was to raise awareness of New Zealand’s vulnerability to the Russian Bear – the Bad Guy de Jour of the 1870s. The ‘Great Game’ – Britain’s tussle with Russia over Afghanistan – was afoot, and with it risk of war. New Zealand, just emerged from the ‘New Zealand Wars’, was a far-flung outpost of Empire, and feeling vulnerable. And so New Zealand’s long naval story –  a story that extended to the furthest corners of the globe – began.

I’ve covered that story – and more – in my book Blue Water Kiwis, just re-released by Intruder Books. It’s the third in a series of seven military titles of mine being reissued by Intruder, and the only one in the re-release programme on matters maritime.

New Zealand’s naval defence has always faced a weird paradox. As a small island nation, we’re not particularly vulnerable to invasion. But our over-water interests stretch far into blue waters – along our trading routes, into the regions given us to protect. Blue Water Kiwis cover - 450 pxWe first confronted the problem in the 1870s – and it’s dogged New Zealand ever since. The key issue, as always, is figuring out ways of paying for the navy needed to do the work. The historical solutions, for decades, were entwined with New Zealand’s sense of self, and of its place in the wider British Empire of the early twentieth century. And that, as much as the exciting stories of battles in the First and Second World Wars – is what Blue Water Kiwis is all about.

Blue Water Kiwis was originally published in late 2001, a couple of years after I proposed it. Although not strictly a history of the Royal New Zealand Navy, it was taken up by the service as the book marking their sixtieth anniversary that year. Blue Water Kiwis. Check it out. Now. On Kindle.

Copyright © Matthew Wright 2015

Blue Water Kiwis: cover reveal!

I’ve got some exciting news – my book Blue Water Kiwis, my history of New Zealand’s military aviation to the end of the Cold War, is being republished as No. 3 in a new military series by Intruder Books. Here’s the cover.

Blue Water Kiwis cover - 450 px

bluewaterBlue Water Kiwis was first published in 2001 by Reed NZ Ltd, marking the sixtieth anniversary of the Royal New Zealand Navy’s founding – though the book itself was about a good deal more than that, tracing New Zealand’s naval story from the early 1870s. I received a good deal of support from the RNZN.

The new edition marks the first time it’s been available in over a decade. It’s being released for Kindle initially, and follows the two earlier titles in my re-released military history series. Don’t forget to check ’em out – here.

If you haven’t got a Kindle, you can get a Kindle reader for PC or whatever device you own, here. And watch this space…

Copyright © Matthew Wright 2015

When ethics overcome history

Another iconic building in my home town, Napier, New Zealand, bit the dust a while back. The Williams building – 103 years old – survived both the devastating 1931 earthquake and fire that followed.

Panorama I took of Napier's Hastings Street, Williams Building to the far left.

Panorama I took of Napier’s Hastings Street, Williams Building to the far right.

Now it’s gone down before the wrecking ball. And a good thing too. You see, it apparently only met 5 percent of the current earthquake-proofing standard. Ouch. Surviving the 1931 quake and retaining its structural integrity were, it seems, two different things.

The Williams building. Click to enlarge.

The Williams building going…going… Click to enlarge.

It’s the latest in a succession of quake-risk demolitions around the city. A few structures – such as the Paxie building, centre in the photo above, or the old State Theatre (where I first saw Star Wars in 1977) have been gutted and the facades preserved. But original ‘deco’ buildings of the 1930s are limited to a couple of city blocks. A single heritage precinct. When I was a kid, deco filled the town.

....and gone....

….and gone…. Click to enlarge

I know, I can hear the howls of protest now. ‘But – but – you’re interested in history…how can you support knocking it down?’

Easy. History is more than the artefacts it leaves anyway, but the real calculation is more immediate. A few years back, Napier’s Anglican Cathedral hall was also under threat of demolition, in part because it was a pre-quake masonry structure. The Historic Places Trust approached me, wanting me to put my authority and repute as a nationally known historian behind their effort to have it listed and legally protected. I was well aware of that history, of course. But I knew the building was a quake risk –and I hadn’t been given any engineering reports on which to base the professional opinion I was being asked to provide by Historic Places.

The biggest horror story of the 1931 quake was the way a doctor had to euthanise a badly injured woman who was trapped in the ruins of the cathedral – the only way to save her from being burned alive by advancing fires. In was an appalling moment. The decision tore at him for the rest of his life.

I wasn’t going to endorse saving a building where that might happen again. Risking human life or preserving a historic building? It’s a no-brainer, really. So while it was sad to see that building go -and sad, since, to see other structures like the Williams Building disappear – it’s really not a hard choice. What would you do?

Copyright © Matthew Wright 2015

Can we sell books with suggestive gibberish?

The other day I tried to buy a little smackerel of something from a fast food joint. When I went to close the deal the fellow behind the counter suddenly said “Wuddawuddabopbopbop.” Hilarity ensued.

Me: I’m sorry, I didn’t get that.
Goon: WUDDAWUDDABOPBOPBOP.
Me: Sorry, still don’t get it. Can you repeat it slowly, not louder?
Goon: WUD – DA – WUD – DA … (etc).

It turned out he was trying to sell me an add-on. The speed of the patter, I suspect, was part of the technique to get an unsuspecting customer to buy a delicious handful of whole unboned chicken, lovingly dropped through an industrial macerator, chemically bleached, mechanically reconstituted into bite-sized chunks with artificial flavour, wrapped in sawdust and MSG before being deep-fried, left for half an hour to go lukewarm, then served up in a grease-stained cardboard cup.

ClickhereandbuymybooksOK?

ClickhereandbuymybooksOK?

That led me to wonder whether I couldn’t get bookstores to do the same for books. You know – somebody picks up the latest best-seller and ends up being on-sold a couple of other titles. The trick is mangling the request so the hapless book buyer doesn’t know what they’re ending up with – they think they’ll be getting two sequels to Fifty Shades of Grey whereas they’ve just bought a pile of books by that guy Wright (for selection, click on the titles in the right hand column of this blog).

And this is where you come in. Drop me a comment with your take on just how a bookstore attendant might mangle things so as to slip in one of my titles (that column on the right) – or one of your own. Thoughts?

Copyright © Matthew Wright 2015

Announcing ‘Western Front – The New Zealand Division 1916-18′

My book Western Front – The New Zealand Division 1916-18  is being re-released this week – precisely a decade on from its original print publication – by Intruder Books. With an all-new cover.

Wright_Western Front_450pxThis was an important book for me, the first of three I wrote exploring the psychology of warfare through the lens of the First World War and the New Zealand experience.

A century on, we usually imagine the First World War in terms of its Western Front – portrayed as a grey, muddy world of trenches, wire, machine guns, whizz-bangs, artillery, and senseless death.

It was all these things. But the real question is why. Did it really happen because foolish generals knew nothing better? That they hoped that the enemy might run out of machine gun bullets before they ran out of men?

Nothing, of course, could be further from the truth – certainly as far as the New Zealand experience was concerned. And exploding some of the myths is what Western Front – The New Zealand Division 1916-18 is really about.

Review comments about the original issue included:

“An immensely readable story”
– Denis Welch, New Zealand Listener, 7 May 2005.

“Readers of this excellent book will thank God and hope that such a war will never come again…”
– Des Bell, Northern Advocate, 30 May 2005.

“This is an excellent read, factual, often emotional and simply written. It should appeal to all New Zealanders”
– Graeme Cass, Hawke’s Bay Today, 2 July 2005.

Western Front – The New Zealand Division 1916-18 is the second in a series of releases by Intruder Books, initially featuring the military books I wrote between 1998 and 2007. The first, Kiwi Air Power, is also available. And there’s more to come.

You can buy your copy right now, direct on Kindle – click on the cover.

Copyright © Matthew Wright 2015

Anticipating the next trend in book cover styles

I recently dug out some of the military histories I wrote in the late 1990s-early 2000s, largely because Intruder Books are reissuing some of them and I wanted to check out the old cover designs. Not to use those covers again – the license isn’t available – but to remind myself how they looked, way back when, and just how far styles have changed.

I commissioned the artwork for the cover of my 1998 book on the RNZAF. I still have the original painting. That meant I also had license to use it on the cover.

I commissioned the base artwork for the cover of my 1998 book on the RNZAF, which Reed NZ’s designer used as the basis for this cover. I still have the original painting.

A lot of that change, I think, flows from the way new technology provokes new styles. Actually, that was happening even before software oozed into the process.

Wright - Kiwi Air Power 200 px

Same book – 2015 cover. Click to buy. Go on, you know you want to…

Way back, sci-fi book covers were bright yellow and plain, in which case they were published by Victor Gollancz. Or they were traditional for the day – a cover painting (sometimes full colour), usually by Ed Emshwiller, with often hand-lettered title at the top and the author’s name at the bottom. Just like every other book on the planet, except that the sci-fi featured a spaceship or googly monster or something.

Then, around the turn of the 1970s, a young British artist named Chris Foss cut loose with an airbrush and a new concept – multi-faceted, amazingly detailed fantasy spaceships floating on abstract clouds. And he set a trend. As in: Bam! A Trend! Three milliseconds after Foss’s artwork adorned the Panther editions of Asimov’s Foundation ‘trilogy’ (it was in the 1970s), every sci-fi book cover on the planet suddenly featured fantastic, multi-faceted, hugely detailed spaceships floating against billowing backgrounds.

This book of mine was pretty hard to structure - took a lot of re-working via the 'shuffle the pages' technique - to get a lot of social linear concepts into a single readable thread.

Superb, superb design

For me, the best cover ever designed for any of my books remains the one Penguin commissioned from an Auckland designer for Guns and Utu. Just awesome. (Want a copy? Email me.)

Today’s covers are all Photoshop layer blend and SFX effects, which I can usually spot from about half the distance of Jupiter (I began working professionally with Photoshop in 1988…) Every cover on Amazon has a sameness which I just know has been done with Photoshop layer blends in various flavours. Sigh…

I’m determined this over-use of glow won’t happen for the New Zealand Military series I wrote from 1997 to 2009, half a dozen titles of which are due to be re-released by Intruder Books over the next two years. Layer clipping paths? Sure. But not glow. We’ll see.

Meanwhile, the next release is coming up in time for ANZAC day. Western Front: The New Zealand Division 1916-18. A tenth anniversary reissue, in fact. Watch this space.

Copyright © Matthew Wright 2015

History you can touch – now available in North America

New Zealand has a short history by world standards – the first humans to even reach these shores did not arrive until around 1280. But it is unquestionably an interesting past – particularly once we get into the so-called ‘historical’ period after 1840, when British and Maori came into collision.

St Alban's Church at Pauahatanui, near Wellington - site of a major pa in 1845.

St Alban’s Church at Pauahatanui, near Wellington – site of a major pa in 1845.

Open warfare flared between 1845 and the early 1870s, from Northland to the northern South Island. That is virtually yesterday by historical standards, and that makes those events a history we can touch. The more so because many of those events were not in remote bush locations – but in places we can see and touch. The Battle of Boulcott Farm, for instance, was in the middle of what is today suburban Lower Hutt. The bush pa of Titokowaru, Te Ngutu o te Manu, became the Hawera District Council camping ground. Really! The Battle of St John’s Wood, in Whanganui, became a supermarket. Gate Pa is, these days, a Tauranga bowling club lawn. Te Rangihaeata’s pa at Pauatahanui became a churchyard. And so it goes on.

The cover of my next book.

The cover – click to go to Amazon

It is a salutary reminder of the way history gets forgotten that these places – used daily by ordinary Kiwis – have such a dramatic past. And that’s why I made a point, in my latest book on the New Zealand Wars, of highlighting some of the easier places to get to. We should. History comes alive if we can visit the terrain – and history this recent should not be forgotten.

The New Zealand Wars – a brief history is my third book on the subject. And it’s been released this week, in print, for the North American market. Which I think is pretty cool.

Copyright © Matthew Wright 2015