Why I think opera is a kind of audio torture

I have never really understood why people like nineteenth century opera. You know, those bombastic audio-torture events that feature singers making the kind of noises you’d expect from someone who’s just had particularly delicate body part slammed in a door. Usually the songs involve an obese soprano waddling out on stage looking like a giant … More Why I think opera is a kind of audio torture

When was the first fully polyphonic synthesiser released?

These days synthesisers are amazing instruments, often using technologies derived from computing – or existing only as software with the only hardware being a separate keyboard controller. That wasn’t always so. The commercial synths of the 1960s were built around analog hardware that played just one note at a time, like a wind instrument. By … More When was the first fully polyphonic synthesiser released?